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EDITREADY CUSTOMER SERVICE SOFTWARE
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Elements can include user-inputted information and intrinsic data like date, etc. They ensure that files are correctly labeled. Presets are a way for future recipients to communicate with those responsible for sending the data to them. As Hedge moves data from camera cards and other storage sources, a review panel will pop up to prompt the operator to insert the required data. They do this by creating a preset that they send to Hedge operators during the data transfer. To ensure that video files always have the correct information, tailored to the specific needs of an individual workflow, this release of Hedge introduces Elements.Ĭrucially, people who receive files can now specify what elements of information they need to organize and process those files. Hedge customers reported that this is a serious and growing problem, forcing editors to spend valuable creative time naming and annotating incoming files. Keeping track of files: knowing what theyre for, where theyve come from and why theyre important, is a critical part of a modern video workflow.

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Today, were proud to announce Hedge Elements, EditReady RAW, and Canister Spanning and Preflight Checks: three major updates that we can pretty much guarantee will make your life as a video professional easier.Įlements are Hedges term for the varied and customizable metadata that users can now associate (and keep) with a file to clarify the role of that file to other creative and technical professionals later in the workflow. These product releases are a direct result of their most popular (and persistent) requests, and customers actively helped in testing these releases in their workflows. Hedge customers have been a driving force in our product development and roadmap from day one, said Paul Matthijs, co-founder and CEO of Hedge. Driven by customer demand for new features, these latest updates address common challenges todays modern video editor faces:ĭealing with unorganized media that requires custom-built metadata fields.Įnsuring individual media archives can span multiple LTO tapes.

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Hedge, the creator of smart, intelligently designed software for video professionals, has just released three product updates to its suite of tools for filmmakers and video professionals: Hedge Elements, EditReady RAW, and Canister Spanning.

The latest releases from Hedge deliver customizable metadata elements, support for RAW camera codecs, and spanning for LTO archive, increasing productivity across the product suite. Other than this: AVC-I should work fairly well in Resolve (not that much worse than ProRes).Hedge Launches Three Major Product Updates: Hedge Elements, EditReady RAW, and Canister Spanning posted:

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Also you may/may not need to manually set levels to Full for imported ProRes files in Resolve at clips level (depending how Kyno is converting them).

Thos AVC-I files are full range, so (as found out) make sure this is handled properly automatically or you need to set manually. Is FS7 v2 (with ProRes internal recording) just a firmware or new model? With such a camera I would prefer to shoot something better, ProResHQ quality level.

ProRes preserves quality quite well when source already went through DCT based compression.įor 90% work you should not worry at all.įor remaining 10% (higher-end projects) you can use eg. Fiveshorts wrote:Am I not faced with the same problem then, when it comes time to color and grade - having to revert back to the inefficient MXF original media? I wonder just how much I lose in a pure conversion.?īecause your source is already compressed you can think that you loose 'nothing'.

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